The European television industry is one of the most
balanced in the world, with public service broadcasters, advertising-supported
broadcasters, and pay television operators reasonably dividing television
revenues among themselves. For the 27 countries of the EU, pay TV accounts for
about 38% of total revenue, public funded broadcasters for about 34%, and
advertiser supported television for about 28%.
Unlike the US where private television dominates, most
Europe private television began after liberalization broke the monopolies held
by public service and state television in most countries. It has taken decades
for private television to establish a mature place in the market.
When looking specific countries,
however, total spending on TV (advertising, subscriptions, public funding) is not
evenly spread. Adjusted for population, it ranges between €5 and €30 per person
among nations, with an average of €15. There a notable differences between
southern, central, and eastern European nations and nations in the north and
west of Europe, where public service and pay TV are strong players.
Some markets are skewed with
unusually strong TV subsectors. In Germany and Sweden publicly-funded TV is
unusually dominant; there is unusually poor performance of
advertising-funded TV in Bulgaria, Estonia, Hungary, Latvia, Montenegro and
Romania.
Today, pay television is the most positive sector in
European television, with subscriptions for basic services and payments for
video-on-demand services growing and the sector benefiting from the growth of
video viewing on smartphones and tablets, particularly for its original
programming.
Advertising-supported television is being squeezed between
the more stable funding of public service broadcasters and pay TV providers and
being hurt because advertisers in some countries remain reluctant to accept
catch-up viewing in audience measurements for program broadcasts. It is not
benefiting as much from video-on demand services as public service and pay TV
broadcasters because much programming on advertising-supported TV is not
original production owned by the broadcasters.
In order to survive in the new television environment,
advertising-support TV in Europe has developed a diversified revenue, combining
income from advertising, paid programming (home shopping, religious
programming, etc.), product placement, sponsored events such as concerts and
fairs, telecommunication promotions and services related to programming, income
producing contests and lotteries, and renting studio space and providing video
production services for advertising and corporate use.
Despite find their niches, both
advertising supported and pay TV operators are now mounting efforts to obtain
public funding to improve domestic program offering. In a number of countries
they are asking policymakers to create contestable public funding to produce
quality domestic content. They have asked cultural ministries to set aside
funds for the purpose or asked regulators to divert portions of public service
license-fee payments for the purpose.
In the contemporary environment, the business model of
European advertising-supported TV needs significant addition, primarily because
traditional TV advertising has low value for both viewers and advertisers today
and there is a need to seek news ways to connect the two commercially. The
extent to which they will rise to the occasion remains to be seen.